By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans
To be accomplished in 12 volumes, this huge paintings the following starts publication with the 1st volumes—Abaco to Bertie and Bertin to Byzard. while accomplished, it truly is anticipated that the biographical dictionary will comprise information on greater than 8,500 individuals. Hundreds of published resources were looked for this venture, and dozens of repositories combed, and the names of body of workers indexed were filtered via parish registers at any time when attainable. From released and unpublished assets, from wills, documents societies and guilds, from files of faculties, universities, and golf equipment, and from the contributions of selfless students, the authors have the following assembled fabric which illuminates theatrical and musical job in London within the 1660–1800 period. The info right here collected will without doubt be augmented via different specialists in recovery and eighteenth-century theatre and drama, however it isn't really most likely that the variety of folks referred to now definitely or conjectured eventually to were attached with theatrical enterprise during this interval will ever be increased significantly. definitely, the contributions made right here upload immeasurably to current wisdom, and in a couple of circumstances right average histories or reference works. The accompanying illustrations, estimated to be a few 1,400 likenesses—at least one photo of every topic for whom a portrait exists—may turn out to be a useful characteristic of the paintings. The authors have long gone past embellishment of the textual content, and feature tried to checklist all original pictures any wisdom of that is now recoverable, and feature attempted to ascertain the current place of graphics in each medium.
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Additional resources for A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800
Our sincere thanks are due also for much gracious assistance from the librarians, keepers, or curators, and from the staffs of the following institutions, as well as from many staff members in the institutions named above: Houghton Library, Harvard University; Massachusetts Historical Society; New York Public Library (especially its Theatre Collection, Lincoln Center); Bodleian Library, Oxford University; University of London Library; the Library of Congress; Manchester Public Library; Lilly Library, Indiana University; University of Hawaii Library; John Rylands Library; London Guildhall; the Public Record Office, London; Middlesex Guildhall; Tufts University Library; Sir John Soane's Museum; Clark Library of the University of California at Los Angeles; Bibliothèque Nationale; Newberry Library; Bristol Public Library; Bedford Settled Estates; University of Chicago Library; Toneel Museum, Amsterdam; University of North Carolina Library, Chapel Hill; Greater London Council; the Sterling and Beinecke Libraries, Yale University; the Elizabethan Club, Yale University; Westminster Public Library; Marylebone Public Library; Bibliothèque de l'Opéra; Trinity College Library, Dublin; the National Library of Ireland; Ohio State University Library; William Rockhill Nelson Gallery of Art; Connecticut Historical Society; Richmond, Surrey, Public Library; Bath Public Library; West Indies Reference Library, Kingston, Jamaica; Public Record Office, Spanish Town, Jamaica; the Holburne of Menstrie Page xv Museum, Bath; Bernard Quaritch, Ltd; Messrs Martin Secker and Warburg, Ltd.
C. 1695), violist and violoncellist; grandson of Clamor Heinrich Abel (b. 1665), violist; and brother of Leopold August Abel (171894), violinist, conductor, and composer at various German courts. His brother Christian's sons, August Christian Andreas Abel and Friedrich Ludwig Aemilius Abel, were to add further luster to the name. Johann Sebastian Bach was godfather to his elder sister Sophie Charlotte (b. 1720). The exact circumstances of Karl Friedrich's musical education are not known, but there was enough talent in his immediate family to ensure competent early tutelage.
For the innumerable courtesies of Dr O. B. Hardison, the present Director of the Folger Library, and of the Associate Director and sometime Acting Director Dr Philip Knachel, we also make warm acknowledgment. To Miss Helen Willard, Curator Emeritus of the Harvard Theatre Collection, we owe a great debt for the patience and courtesy with which over many years we have been received at that splendid treasury. We are especially grateful for permission to photograph some hundreds of pictures. To Mr George W.
A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800 by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans