By Ghulam Yazdani; N.P. Chakravarti
Ajanta; the color and monochrome reproductions of the Ajanta Frescoes in response to images, with an explanatory textual content by means of G. Yazdani, and Appendix and Inscription. via N.P. Chakravarti. released below the specific authority of His Exalted Highness the Nizam.
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Extra resources for Ajanta; the colour and monochrome reproductions of the Ajanta Frescoes based on photography. Text
One of them, named Sonuttara, had once been an enemy o f the Great Being. Subhadtti selected him and pointed out the route leading to the golden cliff beyond which the abode o f the royal elephant was situated. Sonuttara, after traversing a long distance and climbing several hills, reached the golden cliff, whence he observed the royal elephant. 'I*hc hunter waited for an opportunity and dug a pit to conceal himself at the place where the royal elephant used to come after his bath. Sonuttara shot a poisonous arrow from the pit and wounded the Bodhisattva, but when he attempted to cut out his colossal tusks with his saw he did not succeed.
Accordingly she offered a prayer to this effect: ‘ Hereafter, when I pass hence, may I be reborn as a royal maiden and on coming o f age may I attain to the dignity o f the queen consort to the Rlija of Benares. * T he prayer o f Chulla-subhadd2 was granted, and in her next life she was bom as a royal maiden and married to the RSjS of Benares. She did not forget her desire for revenge, and pretending to be sick she told her husband that until the tusks o f an elephant which she had seen in her dream were brought to her she would not recover from her illness.
Is that o f his consort, who is also listening to the sermon with rapt attention. In front o f the throne o f the Buddha is a monk, and there are two more in the foreground towards the right. 6 H e is probably the Bodhisattva Vajrapani. There is a corre sponding attendant on the other side o f the Buddha, who may be Padmapani, but his symbol 1 T h e characters o f the inscription painted on the stupa confirm this surmise; see Appendix, p. 87 f. 1 According to Burgess, below the figures of the two nJgas there was an inscription o f which the words paramopQsaka could be read.
Ajanta; the colour and monochrome reproductions of the Ajanta Frescoes based on photography. Text by Ghulam Yazdani; N.P. Chakravarti