By Henri Michaux, (tr. Silvio Mattoni)
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Additional resources for Antologia Poetica 1927-1986 Edicion bilingue (spanish french)
After the Mongols abolished the Jin dynasty, the examinations were suspended for eighty years. This was an unprecedented state of affairs since the inception of the examination system. Thus, unless they served as clerks, the literati had nothing with which to recommend themselves. Therefore, it is not surprising that many playwrights were clerks. . The claim made by Shen Defu and Zang Maoxun that in the age of the Mongols, officials were selected through the composition of drama is completely spurious.
Meiji-era Japanese literary histories of Japanese and Chinese literature alike commonly feature the term “drama” ( gikyoku). ”116 Strictly speaking, the term “opera” ( gequ, geju) might have been a more appropriate translation for Wang’s definition of a play. 117 Wang reinforced the literariness of zaju by comparing Yuan playwrights to Tang poets. To be sure, late and post-Ming critics such as Li Kaixian, Wang Jide, and Meng Chengshun (1599–after 1684) had also likened Yuan playwrights to Tang poets often with a view toward downplaying theatrical elements in favor of poetic prosody and style.
Arguably for the first time in history East or West, William Hatchett’s (fl. 45 On the other hand, Voltaire was drawn to a Confucianized China that was humanistically ethical without being beholden to religious authority. Accordingly, Voltaire recast the story of Orphan of Zhao as a contest between Tartar might embodied by Genghis Khan, and Chinese virtue represented by a Chinese minister and his wife. 48 Nevertheless, despite the increasingly negative tenor of much European writing on “Chinese despotism,” the nineteenth century also witnessed an unprecedented rewriting early chinese zaju song-drama / 11 interest in Chinese drama in England and France.
Antologia Poetica 1927-1986 Edicion bilingue (spanish french) by Henri Michaux, (tr. Silvio Mattoni)